other ways of being
22-23
‘other ways of being’ was a collaboration with the Charleston Trust to imagine society differently in the Sussex museum home of the Bloomsbury Group - artists and intellectuals who famously lived in squares, painted in circles and loved in triangles. Our students generated 39 speculative near futures for the site inspired by its historic liberal context and driven by social signals of change regarding genders and identities, relationships and interaction, pleasure and entertainment.
Partnership
Charleston Trust with thanks to Nathaniel Hepburn MBE Director and Chief Executive of Charleston for his belief and support and to Emily Gould-White for making it all happen.
Guest Critcs
Andre McQueen, Riya Patel, J Paul Neeley [Neeley Worldwide], Tobias Revell [Arup Design Futures], Conner Eastwood [PwC Futures], Finn Strivens [Futurall], Alba Imeri [Dive Without Fear]
Yuliang Kang, 'Parallel Infusion', 2052.
Alice Penner, 'The Fleshy Apparatus', 2043.
Lucy Nurnberg, 'U-Haul Dyke Rescue', 2043.
Trista Tang, 'A Drowning Deity, Rebirthed', 2050.
Jiabao Guo, 'ANSA, Inc', 2070.
Yujin Lee, 'Everything Not Saved Will Be Lost', 2049.
Zijing Mei, 'The Tear House', 2043.
Yue Sun, 'Take BACK Your Body', 2040.
Cooper Robinson, 'RetroQueer Carnalval', 2035.
Daun Jung, 'Aura Hotel', 2033.
Ason, 'A-Room', 2045.
Xin Yan, 'Post-Me-ism, Attach House', 2050.
Haomin Gu, 'Masking Rave', 2050.
Ariel Li, 'Building Nomadism, Move into your future', 2065.
Shicheng Zhou, 'Domestic Rewilding', 2050.
Mauricio Salgado Arenas, 'Madame Parsons', 2042.
Yuqing Bao, 'Kaleidoscope', 2041.
Alexandra Ellerkamp, 'The Allegorist's Archive', 2047.
Tessa Verity, 'The Orchard', 2040.
Yuan Wang, 'Plant Bank', 2055.
Jin Zhan, 'Future Funerals', 2050.
Xingyu Chen, 'Intimai Institute', 2035.
Yujia Wu, 'Charleston WakeEternity Hub', 2050.
Toyosi Adenuga, 'Iyoba's Trace', 2036.
Yadi Chen, 'The Paideia Institute', 2050.
Jiayi Lin, 'Life Chapter', 2043.
Yikai Wang, 'AI World', 2043.
Cleo Zhang, 'Rental Elysium', 2052.
Xi [Sherry] Kang, 'W-Floor', 2052.
Umme Hanny, 'Reality?', 2050.
Marguerite Royer, 'GenexLife', 2053.
Miriam Dreyer, 'The Near Past of Intergenerational Trauma', 2052.
Mingzhen Bai, 'Information Explosion', 2052.
Palika Nitisiri, 'Art is the New Currency', 2053.
Nickel [YiKai] Woo, 'BTN Healing Center', 2053.
Qingyu Tian, 'Body Without Organs', 2043.
Anqi Liu, 'CELAND', 2040.
Zijian Chen, 'KIN Festival', 2053.